Budapest
Schedel, Hartmann
Buda
Nurnberg, Koberger 1493 [39,5 x 27 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. German text edition. This view of Budapest is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunable and descripton of the world, which was as well illustrated with a small number of authentic doublepage city views. The woodcuts were mostly cut by Pleydenwurff. Here is only present the left part of the double page woodcut view of Budapest.
In very good condition. A few minor stains or spots, mostly marginal not affecting the image of the map.
[Stock No.:24514]
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Constantinoples
Schedel, Hartmann
Constantinopel
Nurnberg, Koberger 1493 [ca. 38,5 x 53,5 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. Fully hand colored city view of Constantinoples, the double page is verso illustrated with seven woodcut illustrations showing saints. German text edition. This view of Constantinoples is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Anton Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunabula and description of the world, which was as well illustrated with a small number of authentic double page city views. The woodcuts were mostly cut by Pleydenwurff.
In excellent condition, with white margins.
[Stock No.:22168]
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Florence
Schedel, Hartmann
Florencia
Nurnberg, Koberger 1493 [25,2 x 52,5 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. Fully hand colored city view. Verso illustrated as well with fourteen smaller hand colored woodcuts of saints. German text edition. This view of Florence is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunabula and description of the world, which was as well illustrated with a small number of authentic double page city views. The woodcuts were mostly cut by Pleydenwurff.
With the usual skillfully mended stitch wholes at the centre fold. In excellent condition.
[Stock No.:22297]
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Venice
Schedel, Hartmann
Venecie [Venice]
Nurnberg, Koberger 1493 [33 x 53 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. Fully hand colored city view of Venice, as well the initials in text rubricated throughout. Verso illustrated as well with the half page view of Padua on one side and on the other side with six small woodcuts of saints. German text edition. This view of Venice is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Anton Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunabula and description of the world, which was as well illustrated with a small number of authentic double page city views. The woodcuts were mostly cut by Pleydenwurff. Impressive and highly decorative city view of the medieval Venice, with St. Marcus place, churches and towers, the lagoon, boats and decorative landscape in the background.
On the full double page sheet (45,6 x 62,8 cm) as published. Minor mended stitch wholes, as usual, at the centre fold. A very good impression with wide margins. In excellent condition.
[Stock No.:21953]
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Jerusalem
Schedel, Hartmann
Jerusalem - Destruccio Iherosolime
Nurnberg, Koberger 1493 [image ca. 25,8 x 53,7 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in July 1493. Fully hand colored city view. Verso illustrated as well with eight smaller hand colored woodcuts of saints and a half-page scene showing the destruction of Jerusalem ('Hierosolimorum exicidium') Latin text edition. This view of Jerusalem is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in July 1493 in Nurnberg at Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunabula and description of the world, which was as well illustrated with a small number of authentic double page city views. The woodcuts were mostly cut by Pleydenwurff.
With the usual skillfully mended stitch wholes at the centre fold. In excellent condition.
[Stock No.:22779]
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Budapest
Schedel, Hartmann
Buda
Nurnberg, Koberger 1493 [24,4 x 53 cm]
Original woodcut from the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. Fully hand colored city view. Verso illustrated as well with four smaller hand colored woodcuts of saints. German text edition. This view of Budapest is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunable and descripton of the world, which was as well illustrated with a small number of authentic doublepage city views. The woodcuts were mostly cut by Pleydenwurff.
In excellent condition.
[Stock No.:23835]
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Europe
Schedel, Hartmann
[incunabula woodcut map of Europe]
Nurnberg, Koberger 1493 [39,2 x 58 cm]
Original woodcut map published in the famous "Nurnberg Chronicle", printed in Nuernberg, in December 1493. Verso with descriptive text and the imprint for the German text edition of the 'Nurnberg chronicle'. This map of Central and Northern Europe is one of the earliest obtainable authentic woodcut maps, published only a few years before 1500. The plate was exactly published and printed in December 1493 in Nurnberg at Koberger. The "Nurnberg Chronicle" was the earliest and most richly illustrated incunabula and description of the world, which was as well illustrated with a small number of authentic double page city views. The woodcuts were mostly cut by Pleydenwurff. The map extends from Southern France in the Southwest towards Lithuania in the Northeast. In the north it shows Iceland, Norway, Lappland, Sweden, Finnland, land mass named 'Grunland' and parts of Russia. The centre of the map provides good and detailed information on rivers and mountain chains of Central Europe showing Germany, Poland and Hungary prominently. Capitals and regions are named.
Printed on the full double page sheet (45,6 x 62,8 cm) as published. Small restorations and mended stitch wholes in the centre fold, as usual. as well a few skillful restorations at the right blank outer margin, these are not affecting the image of the map. A very good impression on paper with wide margins. In very good condition.
[Stock No.:21990]
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Austria - Oesterreich
Ortelius, Abraham.
Austriae Ducatus Chorographia, Wolfgango Lazio Auctore.
Antwerpen, Platin 1574 [34 x 67 cm]
Copper-engraving, handcolored in wash when published. Decorative and early map of Austria published in a 1574 Latin text edition of the 'Theatrum Orbis Terrarum' by A. Ortelius. A highly decorative early map of the duchy of Austria, towns are still shown as miniature engraved city views, mountains, woods, rivers and lakes are decorative engraved. The map was engraved after the cartographic source by Wolfgang Lazius. This is the first state of two, before the horizontal hatching in the Neusiedler See and Ebensee. In the center of the map we find Vienna. The map reaches in the west from Linz towards the Neusiedler lake in the east. In the south with the neighbouring Carintia and Salzburg.
In very good condition. Minor skillfully mendings of very small pin wholes verso at the centre-fold. A small printer's crease at the right side. Koe. Ort 1C / 27. Broe. 105. 1 of 1
[Stock No.:9463]
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Bodensee (Lake Constance)
Muenster, Sebastian
Von Teutsch Landt. Bodensee auff der Germanischen seyten.
Basel, Heinrich Petri, 1628 [11,5 x 16 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of the Bodensee. Decorative and early map of the Bodensee with the surrounding regions Suevia, Bavaria, Vorarlberg and Switzerland. City views are shown as miniature views.
In excellent condition.
[Stock No.:24477]
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Kempten in Bavaria
Muenster, Sebastian
Kempten mit ihrer Abcontrafehtung. Kempten 1569
Basel, Heinrich Petri, 1628 [12,4 x 15,4 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative city view of Kempten in Bavaria. The woodcut was cut first in 1569.
Woodcut on the text page as published. In excellent condition.
[Stock No.:24488]
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Suevia
Muenster, Sebastian
Von dem Schwabenland und seinem fuernemmen Staetten und Flaecken / Herrschaften und Fruchtbarkeit.
Basel, Heinrich Petri, 1628 [9 x 13,2 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of Suevia. City views are shown as miniature views.
Still in good to acceptable condition. An old repaired tear at the lower margin reaching into the image of the woodcut map.
[Stock No.:24487]
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Bavaria
Muenster, Sebastian
Von dem Bayerlandt und zum ersten wo der Nam herkomen sey.
Basel, Heinrich Petri, 1628 [7 x 13,5 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of Bavaria. The map is orientated with the north to left. City views are shown as miniature views.
Woodcut on the text page as published. In excellent condition.
[Stock No.:24485]
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Algoew
Muenster, Sebastian
Von Teutsch Landt. Das Algoew.
Basel, Heinrich Petri, 1628 [12,5 x 15,2 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of the Algoew in Upper Bavaria. City views are shown as miniature views.
In excellent condition, on the full sheet as published.
[Stock No.:24484]
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Muenster, Sebastian
Das Fuenfte Buch Frankenlandt in Germania. Wo die Francken zum ersten herkommen sindt.
Basel, Heinrich Petri, 1628 [9,5 x 13,5 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of Franconia. City views are shown as miniature views.
Woodcut on the text page as published. In excellent condition.
[Stock No.:24483]
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Thuringia
Muenster, Sebastian
Das Fuenfte Buch Thueringer Landschaft.
Basel, Heinrich Petri, 1628 [11,2 x 15,4 cm]
Woodcut published 1628 in the "Cosmographia" by Sebastian Muenster, printed on the full text sheet. Early and decorative map of Thuringia. City views are shown as miniature views.
Still in good to acceptable condition. Verso old repaired tears within the image of the map.
[Stock No.:24481]
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Upper Austria
Blaeu, Joan & Guiljelmus
Archiducatus Austriae Superioris Vulgo Supra Anisum cognominatae Nova Descriptio Juxta Aevratisimas dimensiones Abrahami Holzwormii.
Amsterdam, Blaeu, J. & G. 1663 [49,5 x 54 cm]
Copper engraving, hand colored in outline when published. Cartouches partly heightened in gold. Published in Blaeu's Atlas Major. A highly detailed map providing much information on place names, little villages, streets, castles, political borders, rivers, mountains, etc. This decorative map of Upper Austria is pretty detailed and extends from the Atter See in the east towards Linz and the neighbouring Bohemian border in the north. The map is engraved in a pretty good scale and shows nicely lakes, rivers, mountains and small place names.
Old colored example, the paper minor toned. In excellent condition. Published in Blaeu's Atlas Major. French text verso.
[Stock No.:24493]
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Hungary, Transylvania, Slavonia, Bosnia, Croatia and Dalmatia
Rossi, Giovanni Iacomo
Il Regno D'Ungaria Transilvania, Schiavonia, Bosnia, Croatia, Dalmatia, divisi da Guglielmo Sansone, come al presente si trovano tra La Casa D`Austria, la Rep: ca di Venetia Et Il Turco. al quale spettano li Beglierbati o Gouerni di Buda die Temisvar e di Bosnia di nuovo data in luce da Gio Giaco Rossi in Roma alla Pace l`Anno 1683.
Roma, Gio. Iacomo Rossi 1683 [42 x 45,5 cm]
Copper engraving, hand colored in outline when published. A decorative by the Italian cartographer Giovanni Iacomo Rossi showing the kingdom of Hungary with the neighboring regions Transylvania, Slavonia, Bosnia, Croatia and Dalmatia.
In excellent condition.
[Stock No.:24235]
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Walachia, Bulgaria and Romania
Rossi, Giovanni Iacomo
Corso Del Danubio da Belgrado fino al Marnero con le Prouincie, che intorno al medesimo si trovano descritto da Giac Cantelli da Vignola su l`esemplare delle Carte migliori e delle piu recenti notizie data in Luce da Gio Giacomo de Rossi dalle sue Stampe in Roma alla Pace Con Priv. Del S. Pont. 1684.
Roma, Gio. Iacomo Rossi 1684 [42 x 45,5 cm]
Copper engraving, hand colored in outline when published. An interesting map showing the course of the Danube from Belgrad to the mouth of the Danube into the Black Sea. In its centre the map shows Bulgaria, Walchia, Romania and Transylvania ewith the neighboring Bessarabia, Ukraine and the Black Sea and the Sea of Marmara.
A small carefully mended tear at the lower bottom. In very good to excellent condition.
[Stock No.:24230]
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Kingdom of Hungary
Rossi, Giovanni Iacomo
L' Ungaria nuouamente descritta, et accresciuta di Varie Notizie da Giacomo Cantelli da Vignola suddito, e Geografo Dell`Altezza Serenissma Di Francesco II Duca di Modena Reggio. &c. e data in Luce da Gio. Giaeo. Rossi in Roma alla Pace con Priuo. del. S. P. 1686.
Roma, Gio. Iacomo Rossi 1686 [59,2 x 88,2 cm]
Copper engraving, hand colored in outline when published. A highly decorative map of the kingdom of Hungary published from two plates by the famous Italian caertographer Giovanni Iacomo Rossi in Rome. The plate was engraved by by Vin. Mariotti in Rome. The lower right corner is equipped with a floral and amorial ornated title cartouche with an eagle on top. Top right we do find a mileage scale with Hungarian, Italian, German French and Polish miles. The very left upper corner consists of a descriptive cartouche with text by Giovanni Iacomo Rossi. This cartouche is ornated with a figurative allegoric scene and coat of arms of the kingdom of Hungary. The highly decorative is published in two double page sheets. The map is very detailed in place names, castles, engraved fortresses, rivers, lakes, mountains, etc.
A few minor stains or small spots, hardly visible. In very good to excellent condition.
[Stock No.:24186]
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Weinmann, Johann Wilhelm
Plate: 77 Gedult Kraeutlein.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 77
[Stock No.:16035]
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Weinmann, Johann Wilhelm
Plate: 359 Wachs-blum.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 359
[Stock No.:16057]
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Weinmann, Johann Wilhelm
Plate: 719 Bienensaug. Tuerkische Melisse.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 719
[Stock No.:24520]
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Weinmann, Johann Wilhelm
Plate: 187 Aster angustifolius ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 187
[Stock No.:16133]
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Weinmann, Johann Wilhelm
Plate: 405 Colocinthis
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 405
[Stock No.:16155]
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Weinmann, Johann Wilhelm
Plate: 204 Weisse Molcken - rothe Molcken.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
The upper left corner with water stains, affecting the image of the print. In good to very good condition. Platenumber: 204
[Stock No.:16100]
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Weinmann, Johann Wilhelm
Plate: 233 Bachbunge. Wasserbungen.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 233
[Stock No.:16160]
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Weinmann, Johann Wilhelm
Plate: 467 Karten-Distel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 467
[Stock No.:16130]
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Weinmann, Johann Wilhelm
Plate: 676 Waude - Gilbkraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 676
[Stock No.:24519]
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Weinmann, Johann Wilhelm
Plate: 14 Ahorn.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Minor marginal stains outside the image. In very good to excellent condition. Platenumber: 14
[Stock No.:16028]
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Weinmann, Johann Wilhelm
Plate: 462 Cretischer Dictam - falscher Cretischer Dictam.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 462
[Stock No.:16220]
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Weinmann, Johann Wilhelm
Plate: 166 Erdbeerbaum.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 166
[Stock No.:16229]
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Weinmann, Johann Wilhelm
Plate: 271 Ochsenzungen. Ochsenzungen mit weissen Blumen.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 271
[Stock No.:16170]
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Weinmann, Johann Wilhelm
Plate: 211 Auricularum ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:16085]
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Weinmann, Johann Wilhelm
Plate: 425
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 425
[Stock No.:16128]
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Weinmann, Johann Wilhelm
Plate: 33 Weisse Fellris.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 33
[Stock No.:16239]
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Weinmann, Johann Wilhelm
Plate: 189 Aster Novae Blegiae latifolius ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 189
[Stock No.:16173]
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Weinmann, Johann Wilhelm
Plate: 406 Welsche Linsen.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 406
[Stock No.:16174]
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Weinmann, Johann Wilhelm
Plate: 343 Castanie - gemeine Castanien.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 343
[Stock No.:16078]
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Weinmann, Johann Wilhelm
Plate: 430 Beil-Kraut. Vogelwicken. Kraehen-Fuss.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 430
[Stock No.:16179]
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Weinmann, Johann Wilhelm
Plate: 1019 Meernabel-Kraut. Roemische Nessel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 1019
[Stock No.:24518]
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Weinmann, Johann Wilhelm
Plate: 197 Astragalus ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Paper minor toned. In very good to excellent condition. Platenumber: 197
[Stock No.:16120]
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Weinmann, Johann Wilhelm
Plate: 432 Costen Wurtz - Delb Presilien-Holz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 432
[Stock No.:15769]
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Weinmann, Johann Wilhelm
Plate: 367 Fieber-Rinde. Borkenwurtz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 367
[Stock No.:15770]
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Weinmann, Johann Wilhelm
Plate: 167 Lange Oster-luren.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 167
[Stock No.:16180]
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Weinmann, Johann Wilhelm
Plate: 94 Amaranthus tricolor ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 94
[Stock No.:16062]
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Weinmann, Johann Wilhelm
Plate: 295 Vogel-Klauen. Raupen-Kraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 295
[Stock No.:16116]
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Weinmann, Johann Wilhelm
Plate: 421 Convolulus Mexicanus Battata purgativa.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Marginal waterstain in the upper left corner, affecting the plate of the print. Further some spots within the image of the print. Still in good acceptable condition. Platenumber: 421
[Stock No.:16013]
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Weinmann, Johann Wilhelm
Plate: 969 Griechischer Bathengel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:24525]
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Weinmann, Johann Wilhelm
Plate: 626 Rothe Gruend_Wurtz. Maendelwurtz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 626
[Stock No.:24526]
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Weinmann, Johann Wilhelm
Plate: 382 Schierling.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 382
[Stock No.:16115]
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