Fine Decorative Flower Prints by
    Weinmann



    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 282
    [Stock No.:15803]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 326
    [Stock No.:15804]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 367
    [Stock No.:15805]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 293
    [Stock No.:15806]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 302
    [Stock No.:15807]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 281
    [Stock No.:15808]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 441
    [Stock No.:15809]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 377
    [Stock No.:15810]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 352
    [Stock No.:15811]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 325
    [Stock No.:15812]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 421
    [Stock No.:15813]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 358
    [Stock No.:15814]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 323
    [Stock No.:15815]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 376
    [Stock No.:15816]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 423
    [Stock No.:15817]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 296
    [Stock No.:15818]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 394
    [Stock No.:15819]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 391
    [Stock No.:15820]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 291
    [Stock No.:15821]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 284
    [Stock No.:15822]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 375
    [Stock No.:15799]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 380
    [Stock No.:15798]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 476
    [Stock No.:15797]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 435
    [Stock No.:15796]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 318
    [Stock No.:15795]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 368
    [Stock No.:15794]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 493
    [Stock No.:15793]
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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 447
    [Stock No.:15792]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 456
    [Stock No.:15791]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 411
    [Stock No.:15790]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 306
    [Stock No.:15789]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 506
    [Stock No.:15788]
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    Antique   Weinmann, Johann Wilhelm

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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 450
    [Stock No.:15787]
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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 324
    [Stock No.:15786]
    Full description
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    or use our new feature for ZOOMING

    Antique   Weinmann, Johann Wilhelm

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    UK £


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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 378
    [Stock No.:15785]
    Full description
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    or use our new feature for ZOOMING

    Antique   Weinmann, Johann Wilhelm

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    UK £


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    Weinmann, Johann Wilhelm




    Regensburg, Lenz 1734-45 [ca. 32 x 21 (with wide margins) cm]
    Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
    Platenumber: 362
    [Stock No.:15784]
    Full description
    click here to enlarge image
    or use our new feature for ZOOMING

    Antique   Weinmann, Johann Wilhelm

    click on image to
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    Click Here to ZOOM




    UK £


    Select this Antique to order