Weinmann, Johann Wilhelm
Plate: 1019 Meernabel-Kraut. Roemische Nessel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 1019
[Stock No.:24518]
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Weinmann, Johann Wilhelm
Plate: 14 Ahorn.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Minor marginal stains outside the image. In very good to excellent condition. Platenumber: 14
[Stock No.:16028]
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Weinmann, Johann Wilhelm
Plate: 166 Erdbeerbaum.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 166
[Stock No.:16229]
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Weinmann, Johann Wilhelm
Plate: 167 Lange Oster-luren.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 167
[Stock No.:16180]
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Weinmann, Johann Wilhelm
Plate: 187 Aster angustifolius ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 187
[Stock No.:16133]
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Weinmann, Johann Wilhelm
Plate: 197 Astragalus ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Paper minor toned. In very good to excellent condition. Platenumber: 197
[Stock No.:16120]
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Weinmann, Johann Wilhelm
Plate: 204 Weisse Molcken - rothe Molcken.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
The upper left corner with water stains, affecting the image of the print. In good to very good condition. Platenumber: 204
[Stock No.:16100]
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Weinmann, Johann Wilhelm
Plate: 211 Auricularum ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:16085]
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Weinmann, Johann Wilhelm
Plate: 233 Bachbunge. Wasserbungen.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 233
[Stock No.:16160]
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Weinmann, Johann Wilhelm
Plate: 295 Vogel-Klauen. Raupen-Kraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 295
[Stock No.:16116]
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Weinmann, Johann Wilhelm
Plate: 309 Haber-Distel. Geseegneter-Distel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 309
[Stock No.:16091]
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Weinmann, Johann Wilhelm
Plate: 33 Weisse Fellris.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 33
[Stock No.:16239]
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Weinmann, Johann Wilhelm
Plate: 343 Castanie - gemeine Castanien.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 343
[Stock No.:16078]
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Weinmann, Johann Wilhelm
Plate: 359 Wachs-blum.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 359
[Stock No.:16057]
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Weinmann, Johann Wilhelm
Plate: 367 Fieber-Rinde. Borkenwurtz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 367
[Stock No.:15770]
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Weinmann, Johann Wilhelm
Plate: 382 Schierling.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 382
[Stock No.:16115]
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Weinmann, Johann Wilhelm
Plate: 389 Hexen Kraut. - St. Stephans Kraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 389
[Stock No.:24529]
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Weinmann, Johann Wilhelm
Plate: 421 Convolulus Mexicanus Battata purgativa.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
Marginal waterstain in the upper left corner, affecting the plate of the print. Further some spots within the image of the print. Still in good acceptable condition. Platenumber: 421
[Stock No.:16013]
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Weinmann, Johann Wilhelm
Plate: 425
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 425
[Stock No.:16128]
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Weinmann, Johann Wilhelm
Plate: 432 Costen Wurtz - Delb Presilien-Holz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 432
[Stock No.:15769]
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Weinmann, Johann Wilhelm
Plate: 462 Cretischer Dictam - falscher Cretischer Dictam.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 462
[Stock No.:16220]
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Weinmann, Johann Wilhelm
Plate: 467 Karten-Distel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 467
[Stock No.:16130]
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Weinmann, Johann Wilhelm
Plate: 484 Erven. Manns-Treu.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:24524]
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Weinmann, Johann Wilhelm
Plate: 547 Schielkraut, Milchkraut. Schielkraut. Suess Holtz mit rauhen Knoepfen.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:24521]
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Weinmann, Johann Wilhelm
Plate: 548 Suess oder Lacritzen-Wurz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 548
[Stock No.:24527]
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Weinmann, Johann Wilhelm
Plate: 616 Staudichtes Salz-Kraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 616
[Stock No.:24523]
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Weinmann, Johann Wilhelm
Plate: 626 Rothe Gruend_Wurtz. Maendelwurtz.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 626
[Stock No.:24526]
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Weinmann, Johann Wilhelm
Plate: 676 Waude - Gilbkraut.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 676
[Stock No.:24519]
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Weinmann, Johann Wilhelm
Plate: 77 Gedult Kraeutlein.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In excellent condition. Platenumber: 77
[Stock No.:16035]
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Weinmann, Johann Wilhelm
Plate: 94 Amaranthus tricolor ... .
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 94
[Stock No.:16062]
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Weinmann, Johann Wilhelm
Plate: 969 Griechischer Bathengel.
Regensburg, Lenz 1734-45 [ca. 32 x 21 cm]
Original copper-engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work 'Phytanthoza Iconographia'. This was for the first time, that this technique of color printing was used highly successful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner.
In very good to excellent condition. Platenumber: 211
[Stock No.:24525]
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